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Understanding how automation changes work — task by task, with the evidence shown and the uncertainty admitted.

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On this pageEditorial and commercial illustrationConcept art and visual developmentGame art assetsCommissioned art for published productsRights and licensing
Occupations›Illustrator›Tasks, one by one

Illustrator — tasks, one by one

The unit of analysis is the task, not the job title. Each one below carries its direction, whether the judgement rests on evidence or on platform inference, the reasoning, and what it does not establish.

Tasks
5
With evidence
4/5
Assessed
2026-09-30
Automating×1Being augmented×2Still human-led×2

Every task on this page#

Editorial and commercial illustration

Automating≈ Platform inference

Illustrating articles, advertising, packaging and marketing for clients.

AI / software
Why

US projections say illustrations generated by AI may compete with illustrators, and project that competition to reduce employment in that part of the fine-artists occupation; fine artists, including illustrators, are projected to decline 3 percent from 2025 to 2035.

What this does NOT mean

A projection for a broader occupation that includes painters and sculptors; it does not measure commissions or fees for illustration.

Concept art and visual development

Being augmented✓ Evidence-backed

Designing characters, environments and the look of a film, series or game before production.

AI / software
Why

Studios are using generative AI here, under contract terms. In a manager survey commissioned by artists' organisations including the animation union, 39% of early adopters in film, television and animation said they were implementing generative AI in character and environment design. The animation union's agreement lets producers require employees to use AI systems, but says producers will not require an employee to provide prompts in a way that results in displacing a covered employee, and must give advance written notice.

What this does NOT mean

A survey of managers at early adopters, commissioned by artists' organisations, and one US collective agreement; neither measures how many concept artists are employed.

Game art assets

Being augmented✓ Evidence-backed

Producing characters, costumes, scenes and icons for games.

AI / software
Why

Game companies describe generated assets in their annual reports. Gamehaus, which sells the service, says developer partners can use a trained art-style model to produce characters, costumes, scenes and icons; NetEase says it integrates AI into art and animation production.

What this does NOT mean

One company describing the service it sells and another describing its own workflow in general terms; neither says how many artists' hours changed.

Commissioned art for published products

Still human-led✓ Evidence-backed

Creating final art for cards, books and games that a publisher commissions.

AI / software
Why

Some commissioners write the rule into their terms. Wizards of the Coast requires artists contributing to Magic and Dungeons & Dragons to refrain from using generative AI tools to create final products, and says it is piloting an AI detection tool.

What this does NOT mean

One publisher's policy for its own products; other commissioners set different terms or none.

Rights and licensing

Still human-led✓ Evidence-backed

Licensing artwork and protecting the rights in it.

RPA / self-service
Why

US law protects only what a person authored. A federal appeals court held that the Copyright Act requires eligible work to be authored in the first instance by a human being, and the Copyright Office concludes that prompts alone do not give users enough control to be the authors of AI output.

What this does NOT mean

US law and guidance only; other countries treat AI-assisted work differently, and none of this measures licensing income.

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