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Actor and model
Performs on screen and stage, works as a background actor, or models for fashion and advertising. US projections say AI may replace some actors in certain subfields and that AI reusing images of products and models may limit demand for models; fashion brands have run campaigns generated entirely by AI and published images of models' digital twins; and people cannot reliably tell AI-generated faces from real ones. But the actors' union contract requires clear consent for digital replicas and states a principle strongly favoring human performances, and California and New York void vague replica clauses and require ads to disclose synthetic performers.
Read the replica clause in your last contract and check whether it names specific uses.
This is not a probability of losing your job. It combines how much of the role's task load is exposed to automation with how far adoption has actually gone — useful for comparing occupations on one consistent basis, and for nothing else.
Written for screen and stage actors, background actors and fashion and commercial models. Voice actors have their own page. The evidence is two US labour projections, the actors' union collective agreements, California and New York laws on digital replicas and synthetic performers, three fashion companies' own announcements and a study of AI-generated faces; it establishes how replicas may be made and used and where generated images appear, not how performers' incomes have changed.
What is actually changing#
The unit of analysis is the task, not the job title. A role is not replaced — its task mix shifts.
Each tile is one task. Its size is how much of the job it is; its colour is where the task is heading. Click a tile to see what the judgement does not establish.
US union contracts for signatory producers and a projection; synthetic performers need notice and bargaining, not consent, and non-union work is not covered.
Contract terms, not a count of background bookings; how often crowds are now doubled digitally is not measured here.
Companies' own announcements of single campaigns and a pilot, a projection and a study of still faces; none counts model bookings.
The absence of evidence here is not evidence that live work is unaffected; no record measures theatre employment.
Two US states' law; other places differ, and these rules govern consent and disclosure, not whether replicas are used.
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Read all 5 tasks in full — direction, reasoning and limits →
Recent changes#
United States. The statistics bureau projects that employment of actors will show little or no change from 2025 to 2035, at 67,500, with about 6,300 openings a year. It says the television and film industry is likely to shift its focus from growth in programmes and subscribers to profitability, and that artificial intelligence may replace some actors in certain subfields, without saying which. It counts jobs for one country.
A named person with standing publicly predicted something, on a date, in an attributable statement. It is recorded so that who said what, and when, stays checkable — and it never moves a task's assessment, because a prediction is not an observation. Its value arrives later: the record sits on the same page as the evidence about that occupation, so anyone reading the forecast reads the record of what happened next beside it. That is the reckoning; this site publishes no verdict on whether a forecast came true.
United States. The statistics bureau projects that employment of models will decline 2 percent from 2025 to 2035, from 4,200 to 4,100, with about 700 openings a year. It says technology, including artificial intelligence that allows companies to reuse images of products and models, may limit demand, while demand for models in digital advertisements may create some opportunities. It counts jobs for one country and a small occupation.
A named person with standing publicly predicted something, on a date, in an attributable statement. It is recorded so that who said what, and when, stays checkable — and it never moves a task's assessment, because a prediction is not an observation. Its value arrives later: the record sits on the same page as the evidence about that occupation, so anyone reading the forecast reads the record of what happened next beside it. That is the reckoning; this site publishes no verdict on whether a forecast came true.
United States, film and television. The agreement says the producers agree to a principle strongly favoring human performances and that human performers will continue to perform covered services; that a producer does not intend to use a synthetic created through generative AI in a human role except where it reasonably concludes the synthetic brings significant additional value, and must then give the union prior written notice and bargain, with arbitration limited to remuneration; and that a minor's digital replica may not be used to depict the minor nude or in simulated sexual activity. It binds signatory producers.
Failure, rollback, regulation or cost is suppressing adoption. Can lower an assessment or widen its uncertainty.
New York. The law defines a synthetic performer as a digitally created asset intended to create the impression of a human performer who is not recognisable as any identifiable person, and requires anyone producing a commercial advertisement to conspicuously disclose that a synthetic performer is in it where they have actual knowledge, with civil penalties of $1,000 for a first violation and $5,000 for later ones; promotion of films, television, streaming and games is excluded. It takes effect on the 180th day after becoming law. It requires disclosure, not a human model.
Failure, rollback, regulation or cost is suppressing adoption. Can lower an assessment or widen its uncertainty.
A fashion retailer's announcement. It says H&M released its first set of images featuring digital twins, co-created with a dedicated team and accompanied by a behind-the-scenes film, and quotes a model calling the process professional, collaborative and transparent. The page does not state how many models took part or the terms of their consent and pay.
An employer has put it into production. Can move the baseline — weighted by scale and how similar the setting is.
New York. The law makes a provision in an agreement for personal or professional services contrary to public policy and void as to new performances by digital replication where it allows a digital replica of the individual's voice or likeness in place of work the individual would otherwise have performed in person, without a reasonably specific description of intended uses, and the individual was not represented by counsel or by a union whose agreement expressly addresses digital replicas. It applies to contracts from January 1, 2025.
Failure, rollback, regulation or cost is suppressing adoption. Can lower an assessment or widen its uncertainty.
California. The law makes a provision in an agreement for personal or professional services unenforceable as to new performances fixed on or after January 1, 2025 by a digital replica, where the provision allows a digital replica of the individual's voice or likeness in place of work the individual would otherwise have performed in person, lacks a reasonably specific description of the intended uses, and the individual was not represented by legal counsel or by a union whose agreement expressly addresses digital replicas. It governs contracts, not whether replicas are used.
Failure, rollback, regulation or cost is suppressing adoption. Can lower an assessment or widen its uncertainty.
California. The law makes a person who produces, distributes or makes available the digital replica of a deceased personality's voice or likeness in an expressive audiovisual work or sound recording without prior consent liable for the greater of $10,000 or the actual damages, with exceptions such as news and sports broadcasts. It protects the likeness of the dead; it does not govern living performers' work.
Failure, rollback, regulation or cost is suppressing adoption. Can lower an assessment or widen its uncertainty.
A fashion retailer's announcement. It says it created a campaign generated entirely by generative AI for a limited-edition collection of its youth line; that the process began with real photos of each garment, which trained a generative model to position the garments on a model; and that its art team then selected, retouched, edited and mastered the images. It is one campaign described by the company; it gives no figures on model bookings.
An employer has put it into production. Can move the baseline — weighted by scale and how similar the setting is.
United States, film and television under the actors' union contract. The agreement says the producer must obtain the performer's clear and conspicuous consent to create an employment-based digital replica and pay when the replica performs scenes the performer would otherwise have done in person; that the producer will give the union notice and an opportunity to bargain in good faith if a synthetic performer is used in place of a performer in a human role; that a background actor's replica may not be used beyond the production without consent and separate bargaining; and that these background rules do not apply to tiling of background actors. It binds signatory producers; the published copy is on the employers' association's site.
Failure, rollback, regulation or cost is suppressing adoption. Can lower an assessment or widen its uncertainty.
A clothing company's announcement. It said it was planning tests later in 2023 of AI-generated models to supplement human models and increase the number and diversity of models shown with its products; an editor's note a week later said it was not scaling back plans for live photo shoots or the use of live models. Whether the tests ran is not established here.
Small-scale trial in a real setting. Tells us the deployment conditions are being tested, not that they hold — so one pilot is never enough on its own; two independent ones are.
Experiments in which participants judged whether faces were real or generated by a synthesis engine. The authors report average accuracy of 48.2%, close to chance performance of 50%, rising to about 59% with training and feedback, and that synthetic faces were rated more trustworthy than real ones. It concerns still face images, not moving performance or full-body modelling, and says nothing about employment.
A demo, benchmark or paper shows the task can be done. Updates what the technology can do — not what employers will do.
What this means for you#
If you are starting out, expect catalogue and e-commerce modelling to be where generated images compete first, and learn what you are signing: replica clauses, and whether a union or lawyer stands behind your contract.
Expect producers to scan you and ask for replica rights; the union contract and state laws give you consent and pay terms. Your live, featured performance is what contracts and audiences still reserve for people.
Your options#
Four directions, each with its real constraints and one thing you can test this week. Continuing as you are is a legitimate choice — it just has to be a chosen one.
Stay, and work under union terms
The actors' union contract requires consent and payment for digital replicas and favours human performances.
Union work is competitive, and synthetic performers need only notice and bargaining.
Read the replica clause in your last contract and check whether it names specific uses.
License your digital twin on your own terms
Brands are creating consented digital twins of models, and state laws void vague replica clauses.
Terms vary widely and are often set by the brand.
Ask your agency whether any client has asked for a scan of you, and on what terms.
Move towards live and stage work
Live performance happens in the room, where no record here shows generated performers taking part.
Stage work is limited in most places.
List the live productions near you that cast regularly and what they require.
Common questions#
Models are more exposed than actors. Brands have run fully AI-generated campaigns and published models' digital twins, and US projections expect model employment to decline 2 percent from 2025 to 2035. For actors, US projections expect little or no change, and the union contract requires consent for digital replicas and favours human performances, though AI may replace some actors in certain subfields.
We do not answer that with a number of years. Watch whether clients ask to scan you, what your contracts say about replicas, and whether your kind of work — catalogue, crowd, featured, live — is being generated. Those tell you more than any date.
Under the US actors' union contract, no: a producer must obtain clear and conspicuous consent to create a digital replica and pay when it replaces work you would have done. California and New York also void vague replica clauses if you had no lawyer or union representation.
In New York, yes: advertisers must conspicuously disclose a synthetic performer, with penalties of $1,000 and then $5,000. Film, television and game promotion are excluded. Other places have different rules or none.
What these judgements rest on#
4 of 5 task judgements on this page are backed by a verified event and 1 are platform inference, each labelled where it appears. Behind them sit 3 technology dimensions, a reconstructed trajectory since language models reached the public, and 12 verified events.
See which technologies, how it got here, and the method →
Where it sits in the official classification: skills, knowledge, related jobs →
Other roles in the same function#
A company divides its work into functions before it divides it into jobs. These sit in Marketing & content alongside this one — a fact about org charts, not a judgement that they are similar or that they are changing in the same direction.
Marketing specialist · Copywriter · Writer and author · Graphic designer · Photographer · Illustrator · Animator and VFX artist · Video editor · Voice actor · Musician and composer · Content creator
